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Framing the Magdalen sentimental narratives and impression management in charity annual reporting

Framing the Magdalen sentimental narratives and impression management in charity annual reporting

 Evansa, Lisa.
 Routledge, Taylor & Francis , 2015.
 London, Institute of Chartered Accountants in England and Wales] Abingdon, UK : pages 661-690. Institute of Chartered Accountants in England and Wales. English ISSN: 00014788
AccountingBusinessNarrativesAccounting historyCharitiesMagdalensImpression managementLiterature
Tác giả CN Evansa, Lisa.
Nhan đề Framing the Magdalen: sentimental narratives and impression management in charity annual reporting / Lisa Evansa & Jacqueline Pierpoint.
Thông tin xuất bản London, Institute of Chartered Accountants in England and Wales] Abingdon, UK :Routledge, Taylor & Francis ,2015.
Mô tả vật lý pages 661-690.
Tùng thư Institute of Chartered Accountants in England and Wales.
Tóm tắt We analyse the annual report narratives, between 1801 and 1914, of the Edinburgh Magdalen Asylum, a reformatory for ‘fallen’ women. We aim to provide new insights by combining interdisciplinary perspectives: the work of Erving Goffman on stigma, asylums, impression management and framing, and writings on literary genres, in particular eighteenth- and nineteenth-century fiction. We also contribute to research on the annual report as source material for social history and to accounting histories of women. We find that the narratives were employed to discharge the directors’ accountability by portraying their work and the asylum as socially and economically useful, accounting for the inmates in their charge, securing funding and finding suitable employment for inmates after release. The narratives and their subjects were framed in accordance with conventions of sentimental novels and recurring literary plot structures. By creating a dichotomy between victims of seduction and ‘hardened’ prostitutes, the directors could manage expectations: not all Magdalens could be saved. On the other hand, this dichotomy allowed the directors to advertise their ‘product’ in the market for domestic labour: Case histories and personal narratives were presented to show that the remorseful Magdalen could become a docile domestic servant and productive citizen.
Thuật ngữ chủ đề Accounting-Periodicals
Thuật ngữ chủ đề Business-Periodicals.
Thuật ngữ chủ đề Accounting-Research-Periodicals
Từ khóa tự do Narratives
Từ khóa tự do Accounting history
Từ khóa tự do Charities
Từ khóa tự do Magdalens
Từ khóa tự do Impression management
Từ khóa tự do Literature
Tác giả(bs) CN Pierpoint, Jacqueline.
Nguồn trích Accounting and Business Research.- Volume 45, N6-7, 2015.
MARC
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100[1 ] |a Evansa, Lisa.
245[1 0] |a Framing the Magdalen: sentimental narratives and impression management in charity annual reporting / |c Lisa Evansa & Jacqueline Pierpoint.
260[ ] |a London, Institute of Chartered Accountants in England and Wales] Abingdon, UK : |b Routledge, Taylor & Francis , |c 2015.
300[ ] |a pages 661-690.
362[0 ] |a Vol. 45, N.6-7 (2015)
490[ ] |a Institute of Chartered Accountants in England and Wales.
520[ ] |a We analyse the annual report narratives, between 1801 and 1914, of the Edinburgh Magdalen Asylum, a reformatory for ‘fallen’ women. We aim to provide new insights by combining interdisciplinary perspectives: the work of Erving Goffman on stigma, asylums, impression management and framing, and writings on literary genres, in particular eighteenth- and nineteenth-century fiction. We also contribute to research on the annual report as source material for social history and to accounting histories of women. We find that the narratives were employed to discharge the directors’ accountability by portraying their work and the asylum as socially and economically useful, accounting for the inmates in their charge, securing funding and finding suitable employment for inmates after release. The narratives and their subjects were framed in accordance with conventions of sentimental novels and recurring literary plot structures. By creating a dichotomy between victims of seduction and ‘hardened’ prostitutes, the directors could manage expectations: not all Magdalens could be saved. On the other hand, this dichotomy allowed the directors to advertise their ‘product’ in the market for domestic labour: Case histories and personal narratives were presented to show that the remorseful Magdalen could become a docile domestic servant and productive citizen.
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