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On Literature and Fine Arts of Qing Dynasty in Liang Qichao s Intellectual Trends in the Qing Period

On Literature and Fine Arts of Qing Dynasty in Liang Qichao s Intellectual Trends in the Qing Period

 Zhang, Guanfu.
 p84-p90 中文
Khoa học xã hội & nhân vănIntellectual Trends in the Qing Period.Liang Qichao.renaissance.the literature and fine arts of the Qing Dynasty.中国的文艺复兴.文艺复兴.清代文学美术.+ 2 từ khóa
Tác giả CN Zhang, Guanfu.
Nhan đề On Literature and Fine Arts of Qing Dynasty in Liang Qichao s Intellectual Trends in the Qing Period / Zhang Guanfu.
Mô tả vật lý p84-p90
Tóm tắt Lang Qichao was able to detail the Qing Dynast’s weakness in literature and fine arts-, revealing the greatestdifference between the studies surrounding- this period and the Renaissance. To construct a comprehensive new culture that is-advanced both in reason and emotion, Liang Qichao gave an in-depth analysis, examining both objectively and subjectively the reasons behind the difference, and proposing his own ideas on how to build “new literature” and “new fine arts”. Liang Qichao’s ideas are in stark contrast to the mainstream discourse of the New Culture Movement and Literary Revolution represented by Hu Shi and Chen Duxiu, forming a clear dialogue between them
Tóm tắt 在《清代学术概论》中梁启超援引作为欧洲近代史开端的文艺复兴的历史经验,将清代指认为“中国之文艺复兴时代”,在对于清学中所体现的科学精神、科学方法等的现代意义予以充分肯定的同时,将清代文学美术的薄弱视作清学与文艺复兴的最大差异.他从客观、主观两方面深入剖析其原因,并对如何建设“新文学”、“新美术”提出了自己的构想,以期建设理性与情感兼胜的健全的新文化.梁启超的思考与以胡适、陈独秀为代表的新文化运动和文学革命的主流话语分歧明显,形成对话
Thuật ngữ chủ đề Khoa học xã hội & nhân văn-TVĐHHN.
Từ khóa tự do Intellectual Trends in the Qing Period.
Từ khóa tự do Liang Qichao.
Từ khóa tự do renaissance.
Từ khóa tự do the literature and fine arts of the Qing Dynasty.
Từ khóa tự do 中国的文艺复兴.
Từ khóa tự do 文艺复兴.
Từ khóa tự do 清代文学美术.
Từ khóa tự do 梁启超.
Từ khóa tự do ;《清代学术概论>>.
Nguồn trích Journal of Huazhong Normal University（Humanities and Social Sciences)- 2014, Vol 53, N.5
MARC
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520[ ] |a Lang Qichao was able to detail the Qing Dynast’s weakness in literature and fine arts-, revealing the greatestdifference between the studies surrounding- this period and the Renaissance. To construct a comprehensive new culture that is-advanced both in reason and emotion, Liang Qichao gave an in-depth analysis, examining both objectively and subjectively the reasons behind the difference, and proposing his own ideas on how to build “new literature” and “new fine arts”. Liang Qichao’s ideas are in stark contrast to the mainstream discourse of the New Culture Movement and Literary Revolution represented by Hu Shi and Chen Duxiu, forming a clear dialogue between them
520[ ] |a 在《清代学术概论》中梁启超援引作为欧洲近代史开端的文艺复兴的历史经验,将清代指认为“中国之文艺复兴时代”,在对于清学中所体现的科学精神、科学方法等的现代意义予以充分肯定的同时,将清代文学美术的薄弱视作清学与文艺复兴的最大差异.他从客观、主观两方面深入剖析其原因,并对如何建设“新文学”、“新美术”提出了自己的构想,以期建设理性与情感兼胜的健全的新文化.梁启超的思考与以胡适、陈独秀为代表的新文化运动和文学革命的主流话语分歧明显,形成对话
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653[ ] |a 清代文学美术.
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